Sokyryntsi Park as the embodiment of the "double life" of the Galagan family

Authors

  • Yulia Ivashko Kyiv National University of Construction and Architecture
  • Denys Chernyshev Kyiv National University of Construction and Architecture
  • Ioan Gabriel Sandu Gheorghe Asachi Technical University of Iaşi
  • Andrii Dmytrenko National University "Yuri Kondratyuk Poltava Polytechnic"
  • Małgorzata Hryniewicz Cracow University of Technology

DOI:

https://doi.org/10.22616/j.landarchart.2022.20.05

Keywords:

Sokyryntsi, Classicism Empire style, romanticism, intermediate link, "double life" of the owners, planning

Abstract

The history and principles of planning the park of the aristocratic country residence of the Galagan family – "Sokyryntsi" are described. Compared to such parks as Oleksandriia and Sofiivka, Sokyryntsi Park is much less well-known, although it is a unique intermediate link between the "official" parks of Classicism-Empire style, such as Oleksandriia in Bila Tserkva and "private" "Ossian parks", as Sofiivka Park in Uman. Although in some sources Sokyryntsi Park with a complex of buildings and structures belongs to the Empire style, but a deeper analysis has shown the simultaneous presence of components characteristic of the "English Landscape Park" and "Ossian Park". The Sokyryntsi ensemble is a unique example in terms of its division into three zones – "parade", "memorial", closed from strangers, and "recreational" on the shores of reservoirs. In addition, this is a rare example of the location directly on the estate of two churches, family crypts and the house of the estate founder. The Sokyryntsi ensemble is a unique example of how the "double life" of the family was subconsciously embodied in the planning and development of the park, where the "parade" part testified to the education of the owners and their role in the Russian Empire, instead, the hidden "memorial" part acted as a "figure of silence" about the shameful deeds of the estate founder. The methods of historical and culturological analysis, method of comparative analysis, method of field surveys with the implementation of dimensional drawings and photofixation were used.

Author Biographies

Yulia Ivashko, Kyiv National University of Construction and Architecture

A historian of architecture and landscape architect. Doctor of Science (Architecture), Professor, Nostrified doctor habilitatus, Honored conservator of Ukrrestavratsiia Corporation, Kyiv National University of Construction and Architecture, 31, Povitroflotskyi Avenue, Kyiv, Ukraine.

Denys Chernyshev, Kyiv National University of Construction and Architecture

A specialist in a sphere of ecological architecture. Vice-rektor, Doctor of Technical Science, Professor, Kyiv National University of Construction and Architecture, 31, Povitroflotskyi Avenue, Kyiv, Ukraine.

Ioan Gabriel Sandu, Gheorghe Asachi Technical University of Iaşi

A restorer, specialist in the preservation of cultural heritage sites. Doctor of Science (Science and Material Engineering), Professor. Gheorghe Asachi Technical University of Iaşi, Faculty of Materials Science and Engineering, Blvd. Mangeron, No. 41, 700050, Iasi, Romania; Romanian Inventors Forum, Str. Sf. P. Movila 3, 700089, Iasi, Romania.

Andrii Dmytrenko, National University "Yuri Kondratyuk Poltava Polytechnic"

An urbanist and landscape architect. Candidate of Technical Sciences (Ph.D.), Associate Professor. National University "Yuri Kondratyuk Poltava Polytechnic", Educational and Scientific Institute of Construction, Architecture and Land Management, 24 Pershotravnevyi Avenue, Poltava, Ukraine.

Małgorzata Hryniewicz, Cracow University of Technology

Ph.D., architect, specialist in architectural history and historic preservation, Cracow University of Technology, Faculty of Architecture, 1 Podchorążych Street, 30-084 Cracow, Poland.

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Published

10-11-2022

How to Cite

Ivashko, Y. ., Chernyshev, D., Sandu, I. G., Dmytrenko, A., & Hryniewicz, M. (2022). Sokyryntsi Park as the embodiment of the "double life" of the Galagan family. Landscape Architecture and Art, 20(20), 43–52. https://doi.org/10.22616/j.landarchart.2022.20.05