Cinematic methods of scenario construction in the design of landscape parks

Olena Troshkina; Victoriia Us; Aleksandr Mostovenko; Luidmyla Shevchenko; Natalia Novoselchuk

doi:10.22616/j.landarchart.2022.20.09

Authors

Olena Troshkina National Academy of Fine Arts and Architecture
Victoriia Us Kyiv National University of Construction and Architecture
Aleksandr Mostovenko Kyiv National University of Construction and Architecture
Luidmyla Shevchenko National University «Yuri Kondratyuk Poltava Polytechnic»
Natalia Novoselchuk National University «Yuri Kondratyuk Poltava Polytechnic»

DOI:

https://doi.org/10.22616/j.landarchart.2022.20.09

Keywords:

architectural environment, landscape, method of cinematographic script

Abstract

The article describes and analyzes the possibility of using the method of writing a cinematic script in the design of park space, and it is a test of the method for teaching park design by the method of screenplay and generalization of the results. The authors analyze the possibility of applying this method in the actual design of the existing architectural environment of the city and compare the results with the results of their colleagues from another educational institution of architectural profile in performing similar tasks. The article proves that the cinematographic script, not the theatrical one, is the most suitable for the analysis of the architectural environment and writing the script of its perception. Sid Field's film paradigm, based on Sid Field's film paradigm, is based on the slogan "Every moment the spectator should be interested in what will happen next?" modern city life. According to the screenplay, which has its own structural units, the territory of the park is also divided into several functional zones, each of which corresponds to the cinematic elements. As in the movie, each part of the park evokes certain emotions, which are programmed by the designers in advance. This can be done by manipulating space and its boundaries. The authors suggest that this method of cinematic scenario can be used in the design of the architectural environment of the city, as a new part of it (urban quarter, neighborhood, and district) and in adjusting the existing historical environment.

Author Biographies

Olena Troshkina, National Academy of Fine Arts and Architecture

Associate prof. Ph.D, Department of Architecture of the National Academy of Fine Arts and Architecture, 20, st. Voznesens`kyy uzviz, Kyiv, Ukraine.

Victoriia Us, Kyiv National University of Construction and Architecture

Associate prof. Ph.D, Department of Descriptive Geometry and Engineering Graphics, Kyiv National University of Construction and Architecture; 31, Povitroflotskkyi Avenue, Kyiv, Ukraine.

Aleksandr Mostovenko, Kyiv National University of Construction and Architecture

Associate prof. Ph.D, Department of Descriptive Geometry and Engineering Graphics of the Kyiv National University of Construction and Architecture, 31, Povitroflotskkyi Avenue, Kyiv, Ukraine.

Luidmyla Shevchenko, National University «Yuri Kondratyuk Poltava Polytechnic»

Associate prof. Ph.D, Department of Buildings Architecture and Design National University «Yuri Kondratyuk Poltava Polytechnic», 24 Pershotravneva Avenue, Poltava, Ukraine.

Natalia Novoselchuk, National University «Yuri Kondratyuk Poltava Polytechnic»

Associate prof. Ph.D, Department of Buildings Architecture and Design National University «Yuri Kondratyuk Poltava Polytechnic», 24 Pershotravneva Avenue, Poltava, Ukraine.

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